Yesterday we had another performance with our hozonkai (Matto Bayashi). This time it was more like a recital sponsored by Asano Taiko. The concert was in a nearby hall in a town called Mikawa. The program included the regular groups that practice at Asano: Hono Taiko, Hikari, Sasuke, Matto Yume Mitai, and our Matto Bayashi Hozonkai. In addition, there were performances from some of the beginning level classes at Asano and a children's group led by Jige san of Hono Taiko.
The Children's group is called Kojira, which is a play on words in Japanese. "Ko" means child in Japanese, and Gojira, is the Japanese pronunciaton of Godzilla. I guess it's almost like saying "Kidzilla", I think it's a creative name for a kid's taiko group. The other neat thing about this group is that the parent's played with the children. The kids were up in front, and their parents played taiko at the back of the stage. I think the youngest member was about 3 years old, and the oldest probably was not much older than 6 or 7.
Trying to motivate my own daughter to participate in her taiko lessons is sometimes a chore. After all, her class is early Sunday morning, and she would usually rather sleep a little longer. I think she would probably be more willing to participate if one of us could practice with her. I was encouraged, though, to hear other parents talking about the difficulty motivating their own children to come to taiko practice, so it is not only my daughter. In any case, once she gets going, and finishes practice, she always says she enjoyed it. In contrast, my son, who is 1 year 3 months, can hardly wait to play taiko. If we leave a pair of sticks lying around the house, he will go straight for them and pick them up with a big smile on his face. He loves going to the concerts, too. He would probably get right up on stage and try to play, if we didn't hold him back.
Yesterday was finally a concert with Hono Taiko, where we were allowed to take video. Wouldn't you know it, our battery ran out before they performed. We were able, though to get some groups, including our hozonkai, so if you have been wanting to see me actually play the drums, instead of watching other groups, you will finally have your chance. I even was interviewed by Kinoshita san of Hono Taiko, following our performance. I thought that we would be playing the song along with the members of Hono Taiko like we did last week, but this time, only Yamada san played with us. If you watch the video, she will be the lady with short hair playing the flute.
Unfortunately, I still was only able to play the very end of the song. There are two Odaiko parts/solos, of which the second is the only one I have memorized so far. I am still working on the first Odaiko solo. I have memorized more than half of it at this point, and I hope to have the whole thing memorized by the next practice. Our next performance isn't until March, so I should definitely have it committed to memory by then.
Here is the video of our performance. By the way, this is only half of the whole song. The whole song is more than 20 minutes long. From what we've been told, because it's so long, it's rarely performed in its complete form.
The interview at the end is probably hard to hear, and if you don't understand Japanese, even more difficult to follow. So here is a brief, rough translation:
Kinoshita san: For one of the members of this group, it is only the second time to perform on stage, and I'd like to ask him a few questions. Brian, could you come over here for a moment?
How long have you been practicing with this group?
Me: I joined around the middle of August.
Kinoshita san: So in only 2 months, you are already able to play at this level. Isn't that great, evryone? And where were you from?
Me: I am from the United States.
Kinoshita san: Isn't playing the taiko difficult?
Me: Yes, it's difficult, but it's a lot of fun.
Kinoshita san: Well, thank you for your efforts, and please continue to work hard and play taiko with the Matto Bayashi Hozonkai. Thank you very much.
Me: Thank you very much.
Also, by March, I hope that we will have joined another group. One the other groups that played yesterday (Matto Yume Mitai) announced after their performance, that they were looking for new members. If we can arrange our schedule, I hope that we can join them as well in a month or two. Then, at the March event, we can perform with two groups. My daughter's class will also have her recital at that time, so it will be a whole family taiko event.
Anyhow, I was able to record part of Yume Mitai's performance as well, so you can see an example of what they sound like. The recording starts in the middle of the opening Odaiko solo, so I missed the first minute or so, but the rest of the song is good also.
The first group that performed yesterday was called Sasuke. I do not know the meaning, or origin of their name, but they play quite nicely. They also performed last week and at Extasia in July as well. I mentioned already that their group is made up of junior high and high school students. Here is a video of the piece they performed yesterday.
So that's about it from Sunday's concert. I started writing this on Monday, but the video editing took sometime and I am only posting it now. So when I say "yesterday", I mean Sunday, 7.October.
2007-10-07
Another Concert
2007-10-01
More on Kaga Style Taiko
I am becoming infected with taiko. It seems that I go to bed with taiko going through my head, and when I wake up in the morning, it is still going through my head. I suppose this is a good thing, seeing as we are hoping to eventually get our bread and butter from playing the taiko.
Perhaps we are just filling our schedule so full of taiko, that it is saturating my mind. The performance last week took a lot of preparation and time, and it turns out that I will get to perform again this Sunday. It's kind of unbelievable for me. Within 7 days, I am able to perform twice with Hono Taiko. This performance also will take up a lot of time. There is a rehersal on Saturday night, and then the performance on Sunday will take up part of the morning, and most of the afternoon, by the time we load the drums and unload the drums. Video may not be allowed at this performance either, but if it is, I shall definitely try to get it recorded and post it.
In the meantime, perhaps you can enjoy learning a little more about Kaga style taiko, which we are also learning. The more we learn, the more we realize how little we know. Often, the result of learning, is realizing that I made inaccurate statements on this blog. For example, I believe I said in an earlier entry, that taiko is never improvised, or nearly never improvised. Hopefully I wrote nearly, because it seems that Kaga taiko is one of the rare styles that is improvised. We have been learning set rhythms in the class, but when the style is performed, the performer strings together the different rhythms any way he likes.
The instructors seem to emphasize being relaxed while we play, and enjoying ourselves. It seems to have a fairly long history, at least its roots go back several hundred years, I believe. I think the style we are learning has been developed more recently, and was developed almost as a style to be played in restaurants and such places, where people might not necessarily be coming strictly to see taiko. It was sort of meant to be entertainment during dinner, or a drink.
In case my earlier descriptions of Kaga taiko have been insufficient, or have, perhaps, left you wanting to know more, we located a site with a couple of short videos demonstrating the style. The site is in Japanese, if you cannot read Japanese, just look for the videos and you can enjoy them.
http://www.kuni-net.com/ichijyuku/ichijyuku.html
A Milestone?
I've been waiting several weeks to post this blog. I waited, because I was not sure if it would actually happen or not, but it did. On Sunday, I was able to perform on the Odaiko on the same stage, at the same time as Hono Taiko. For those of you who do not know, Hono Taiko is an internationally known (they just returned from a tour in Spain) group of three women taiko players from Matto. I wrote about them back in July or August and noted them as the first real live taiko performance I experienced. When I saw them 9 years ago, I never would have dreamed that I'd be sharing a stage and performing along side them.
Just to make it clear, it is not necessarily through any great ability of mine, that I was able to have this opportunity. It wasn't as if they invited me to perform with them, but rather, I was allowed to perform with them. It also was not just the three Hono Taiko members plus me. It was the three Hono Taiko members, plus about 20 other people as well. It was a big finale to an outdoor concert. At any rate, it was quite exhilarating to play along side performers of their caliber. I do not think I will ever forget it, and it has only furthered my resolve to continue with taiko studies.
I was sincerely hoping to have a fair amount of video from this concert to post, including a video of my own performance. We were all set to tape, and right before the concert began, they asked people not to take videos or other recordings of the performance. We weren't even able to get pictures. Oh well. There is a chance, though, that we may eventually be able to get our hands on something.
The concert was an outdoor concert in the parking lot of a large shopping center located in Togi, Ishikawa, Japan. Togi is located on Ishikawa's Noto Peninsula. Some may remember about 6 months ago, there was an earthquake in Noto. It was unfortunately soon forgotten because of the larger earthquake in Niigata a few months later, but there are still many people in need and recovering from the Noto earthquake as well.
It has been several years since I have been up in the Noto Peninsula and it was nice to return there. It is very beautiful. The shore is often rocky, and sometimes reminds me of the coast along the Pacific Northwest. One of my favorite parts of Noto are the pine trees near the shore line. They are always slanted about 60 degrees, facing inland, as a result of the constant wind off the ocean.
It seems that the festival where we played was in its second year. It was about 4 hours altogether, but the first 3/4 was filled up by local performing groups, including other taiko groups, high school bands, and dance troupes. The main attraction was, of course, Hono Taiko, along with 3 other taiko groups sponsored by Asano Taiko. These groups are not known internationally, but are still quite good, and are well known in the area. They are Hikari, Sasuke, Matto Yume-mitai and the Shin-Mattobayashi Hozonkai (of which we are members, and why I was able to have the opportunity to play).
Our group was playing in the middle of the program. I think I have mentioned before that the piece, Shin-Mattobayashi, is quite long. I am playing the Odaiko (large drum) part, which does not play for the whole song. There are two sections, though, where it is featured. I have learned the shorter section, but am still memorizing the longer one. Since I have only learned the shorter part, I was not able to play when our group performed. Fortunately, the encore planned to be only the shorter part of that song, which I have learned, so they allowed me to perform with them for the encore. As I already mentioned, it was quite an experience and I will never forget it, and hopefully, it won't be my last opportunity to perform with these people.
There was one more thing I learned from this experience, but it has more to do with fashion, than taiko, perhaps. All four groups met at Asano Taiko in the morning to carpool up to Togi. I wore a dark green shirt, and jeans. When we arrived, I felt a bit out of place. Every single person there was wearing all black. When I thought about it a little more, the taiko groups I've seen here always wear black, when they are together as a group, and not performing. I guess I'll wear black too, next time we have a performance to go out to.