Taiko in Michigan

The Great Lakes Taiko Center has been up and running now for more than 6 months. We are happy to see the quick growth for taiko in Michigan. Since February we have started four classes and our performing group, Raion Taiko, has had performances every month since January.

Our current classes are as follows:
Mondays 5:00 - 6:00 pm Children's class
Tuesdays 9:45 - 10:45 am Ladies class (taught in Japanese)
Wednesdays 7:00 - 8:30 pm adult class
Saturdays 9:00 - 10:30 am adult class

For September we are enrolling students for two new classes.
Saturdays 10:30 - Noon Adult beginner class (for those with no taiko experience)
Wednesdays 5:00 - 6:00 PM Youth class (5th grade through 9th grade)

One housekeeping issue to take care of, our website address has changed from .com to .net. Please make a note of it

Learn Taiko in Michigan Check out http://www.michigantaiko.net

Neighborhood Taiko Concert

We performed a mini-concert in the backyard of my parents' house last weekend. Please come by our new blog to check out the pictures.

Raion Taiko Neighborhood Taiko Mini-Concert

Earth Celebration - Part 3 KASA Tour and N. Ameican Taiko

The location of the Raion Taiko Blog has changed. Please visit our new home to read our latest entry, featuring thoughts and reflections from Kodo's Yoshikazu and Yoko Fujimoto during the 2009 KASA Workshop Tour.

Raion Taiko Blog - Earth Celebration Part 3

Please remember to update your bookmarks.

Earth Celebration - Part 2

Updates on my location and the status, plus the second installment of my experiences at Kodo's 2009 Earth Celebration.
Earth Celebration - Part 2 - The Shiroyama Concert

Did you miss part 1 of Earth Celebration? No worries
Earth Celebration - Part 1

And be sure to check out pictures from Raion Taiko's debut in Japan:

Raion Taiko Pictures

Kodo Earth Celebration - Part 1

Visit our new blog at our new website, www.michigantaiko.com to read the latest entry covering our trip to Sado Island for Kodo's annual Earth Celebration.

In part 1 I talk about Kodo's Sado Island Taiko Center and the workshop I took with my daughter, "Shin-chan Sensei's Taiko Experience". We both really enjoyed ourselves.

Kodo Earth Celebration - Part 1

Matto Matsuri and more

New post: Matto Matsuri and finding a practice space when the studios are all full.
Come and visit our new website/blog location -

Great Lakes Taiko Center
Raion Taiko Blog

New Blog Update: Matto Matsuri and New Taiko T-shirts

Our new blog has been updated with a new post. Please stop by our new website to read it. New T-shirts and Matto Matsuri

Raion Taiko Blog is Moving

Raion Taiko is growing up a little bit. We are in the process of moving to a new website, where we have integrated our blog as a part of it. From now on, we will most likely be posting at the following address:

http://greatlakestaikocenter.squarespace.com/raiontaiko-blog

We are currently in the process of switching over our old URL, so this address might possibly change again. If it does, I will let you know, but even if the address changes again, the one above should still work.

Thank you for your interest in following our adventures.

Exstasia 2009 - Well Done! Everyone

Yesterday we had our 打ち上げ (uchi-age) party for the staff who worked at Exstasia 2009. What is "uchi-age" in English? Actually, I had a brief discussion about this last night with Asano-san's daughter (who is a fluent speaker of English). Neither of us could think of a good, natural-sounding translation. If you look up the word in a Japanese-English dictionary, you'll probably find it means "launch". But if you call it a launch party, it sounds like something you do before the event. An uchi-age party is usually held after a large event is finished. It's sort of a celebration of the successful event and a thanks to everyone for all their hard work. My daughter had one with her ballet school after their recital last fall as well. Is there an English word for this kind of party? An after-event party? post-event party? job-well-done party? How about you? any body know a good translation for "uchi-age"? Leave a comment if you do.

Anyhow, it was an enjoyable party with all the staff, plus Hikari and Hono Taiko. The large taiko autograph board was set up in the ballroom so that everyone could see it also. I posted a picture of it the day before the concert in the previous post. But by the end of the concert, there was hardly any space left to write. Here is how it looked last night:


Sorry for the low picture quality. All I had with me yesterday was my cell phone camera.

This year I didn't get to see much of Exstasia, not even the dress rehearsal. I could go in and out a few times during the performance, but I mostly ended up seeing the same groups I had seen in rehearsals. Therefore, I don't have much more to say about the performances, other than what I already said in the previous post.

Well, in a few weeks, we will be attending another large taiko festival: Kodo's Earth Celebration on Sado Island. We won't be working as staff there, so we can enjoy all the events as concert guests and workshop participants.

Before that, though, we have two performances to look forward to. The first is with Jigen on August 2, next Sunday, for the Matto Matsuri. I believe this may be for the Matto Hi-Matsuri (fire festival) that I wrote about a looong time ago. The following week, we'll perform for another summer festival in a nearby town with Matto Yume Mitai.

August is certainly festival month in Japan. Tonight we are planning to go and watch some taiko at a festival. The group is Da-zoku, a semi-pro group from Komatsu with a heavy Kaga Taiko influence.

They have a video up on YouTube. The Kaga Taiko influence is not so obvious in this one, but... enjoy:

Extasia 2009 - Taiko of Japan, Taiko of Tomorrow

Today is the big day: Exstasia 2009. I will leave for the concert hall in about an hour, there will be a dress rehearsal in the morning, eat lunch, and then the concert starts at 2:00 PM. When concert-goers enter the lobby when we open up the doors at 1:00, they will be greeted by the large, foam-board Odaiko cut-out you see in the picture above. It has been signed by all of the performers... well, most of them, and the rest will probably sign it this morning. Concert-goers will also be invited to leave a message on the board.

This year's Exstasia will be held indoors, unlike last year's which was held outdoors. It's a good thing, though, because the chance of rain is 80 or 90% all day. Although it is not raining yet. In fact, I was thinking of riding my bike to the concert venue until I checked the weather forecast.

Having the concert inside not only reduces the worries about bad weather, but it also means a lot less work in preparing the venue. Last year we had to spend several days putting up a temporary fence surrounding the whole amphitheater so that people couldn't watch the program without paying and there were many other jobs that had to be done. We were working every day for a week before the concert. This year, most of us only were asked to come the day before the concert (yesterday). I had to work in the morning, so I couldn't make it there until lunchtime. When I arrived, they told me that they'd finished work until 7:00 pm and I could go home until then if I wanted.

I stuck around for a little bit to watch some of the rehearsal because I won't get to see much of the performance today. I got to see about six of the 14 groups performing. Hopefully I'll get to see a few more today. Out of the groups I saw yesterday, the group that left the most lasting impression was Shiobara Ryo and Gokasen (塩原 良 ＆ 御花泉). Gokasen is the name of the team, which is produced by Shiobara san. They feature four women playing Katsugi Taiko. If you can read the Kanji for the name, you'll know that it means "Flower Fountain". After watching their rehearsal yesterday, I think it is an appropriate name. Their playing (the women katsugi players) was very feminine, but in a powerful sort of way. There movement was graceful and smooth, especially their arms. Their name is "Flower Fountain" but think more of a fountain of flowers made of fireworks and perhaps you'll get a bit of an idea of what they are like.

Well, it's time that I get ready to go. I'm sure I'll have more to share after the concert.

A Little Taiko Withdrawl

I think this could be a tough week. I'll only get to practice taiko on Tuesday and Saturday. Last week, on the other hand, was pretty intensive from the taiko standpoint. I had group practices on Monday, Tuesday, Wednesday and Saturday (with an extra one on Saturday, then we had the Exstasia campaign performances on Sunday. In addition, Mayumi and I rented studio time on Wednesday and Thursday morning so that we could work on some of our own songs. It was actually the first time in a long time that we were able to sit down and focus on practicing our own songs; songs that we wrote ourselves. We are currently trying to learn three songs. One of them we played last year at a friend's wedding, but the song has been changed quite a bit since then and needs to be re-learned. There is another song that I wrote about a year ago, but we never tried to play it together until last week. It is a fun song and I am looking forward to performing it. And recently I wrote a song for shime taiko, which we began working on together. Although I enjoy playing in the groups at Asano and the guidance we receive from our instructors is invaluable, it does feel really good and exciting to start to seriously focus on some of our own music. We have one, possibly two opportunities to perform our songs in August, so we need to work hard.

Anyhow, I am still a bit down about not having taiko practice very often this week. At least I'll have it tomorrow, and here's something else that will pick up my spirits: Before practice tomorrow I will stop by and pick up our four new Asano Shime Taiko! I'm so excited!

Extasia Campaign #2

At the end of May, Yume Mitai (one of the groups I'm in) participated in a campaign to get the word out and sell tickets for the Exstasia taiko festival coming up in only two weeks! (July 19) Read here about Exstasia Campaign #1.


Yesterday (Sunday) we had Exstasia Campaign #2 for Yume Mitai. This time I played shime taiko instead of Nagado.

For this campaign we traveled down to the southern tip of Ishikawa, to Kaga city, where we gave two performances in the parking lot of a large shopping center. Other teams that performed were Hono Taiko, Hikari, Sasuke and Tedori Koryu Taiko. All of the teams that played yesterday (except for Yume Mitai) will also be performing at Exstasia.

We also did this same campaign last year. Last year, the bus broke down on the way there and in the afternoon, we had to deal with rain. The year before that (I wasn't there at that time) I hear that it poured rain the whole time. This year, everyone made it to the shopping center without any car trouble, the weather, although slightly hot, was sunny all day (I even got a slight sunburn) and we were able to set a record for number of tickets sold during this campaign. Compared with years past, everything went very smoothly.

The only thing that went wrong was that members of Hikari and Hono Taiko performed in bare feet. (Everyone else was wearing tabi shoes) I think everyone knows how hot an asphalt parking lot can get in 90 degree heat. Imagine having to stand on it barefooted for 20 minutes or so. I was watching their feet while they played and I could see how painful it was. They kept shifting their weight to different parts of their feet so they could lift up different parts to give them a break from the heat. In the end, though, they still burned the bottoms of their feet enough to get blisters there. (Hikari members mentioned it in their blog, if you can read Japanese) Not to worry, though, these girls are tough. The first time I saw them about seven or eight years ago, it was outdoors in freezing rain, barefoot and in tank-tops. I guess they have been used to playing in less than ideal weather for a long time now.
Here we are doing our little "Finale" to remind people that Exstasia is on July 19! (Notice the Hikari members - in bare feet - are all trying their best to stand on the white parking lines.)

What I learned in Super Beginner Taiko Class with my Daughter

This past Monday was the last class of Kinoshita-san's (Hono Taiko) Super Beginner Taiko Course. (Read how I ended up taking this course here.) This course is intended mainly for people with very little, or no experience with taiko so Kinoshita-san started teaching from the very beginning: How to hold the sticks, where to place your feet, how far away to stand from the drum, etc.

Last Monday marked the 8th and final week of the course. This class does not participate in the Asano recitals, but we did learn a simple song as a part of the course. At the end of the class, we gave a mini-performance. Kinoshita-san told us we could invite guests to watch if we wanted to (friends/family) but come performance time, the only "guests" were my wife, son and the son of one other classmate. The song has three parts, sometimes in unison, other times playing different parts. This was probably a mostly new concept for my daughter. In her other taiko classes, the songs she played were almost all unison. So we were impressed how well she did. She has made a lot of progress. I, on the other hand, am still not happy with my form, especially when playing long sections of eighth notes. I think part of it is making adjustments to having longer arms than most taiko players. Here is the video of our performance:

So, how was it? Can you find my daughter's favorite section? It is probably hard to see, but she has a smile on her face at the last section. She really enjoyed that part.

The course may have been called "Super Beginner" but probably the only people who are really beginners would be those who turn up their nose at this type of practice (basics) as being beneath them. Having learned music (violin) since the age of seven, and coming from a rather musical family, I am well aware of the importance of practicing those basic exercises like scales, etudes, using a metronome, etc. every day. It is the same with taiko, of course. Sometimes there can be a tendency to want to get right into practicing songs, especially if there is a performance coming up. But I think that if you spend a good part of your practice warming up and practicing/reviewing basics, your songs will also get a lot better a lot quicker. (My daughter's ballet teacher also leads her lessons in this way.)

So, let's see, I don't want to get too far off topic. To get back to the title of this post, what are the things I/we learned from this taiko course?

1. Basic practice and review are extremely important parts of practice, no matter what level you are. In addition to the comments above, I continue to hear more and more about the practice methods of professional taiko groups. They seem to spend most of their time warming up, practicing etudes, stick control, accents, etc. Then, at the end of practice, they run through their songs a couple times.

2. Stop every so often and remind yourself to relax, especially in your shoulders. During this course, every few minutes we would stop and shake out our arms and loosen up our shoulders. New players especially tend to tighten up as soon as they start playing taiko, but even experienced players can tend to tighten up. It never hurts to stop, shake out the stiffness and remind yourself to play in a relaxed and loose manner. I don't think it is possible to relax your arms and shoulders too much.

Actually, the more you think about this, the more you notice how many daily activities contribute to the stiffness. For example, right now, as I type this at the computer, I keep having to remind myself not to lean to far forward and let my shoulders stiffen up. I also noticed how often my shoulders move forward and stiffen up while I am at my desk at work and while I am driving also. These days, whenever I notice my shoulders starting to tighten up, I'll shake them out a little bit and remind myself to push them back, sit up straight and push out my chest. I have a tendency to do these shaking out movements wherever I am, and the other day some of my students noticed me doing some strange movements with my shoulders as I walked down the stairs and they ran away tittering like Japanese school girls (um, wait... they are Japanese school girls). Anyway, keep your shoulders and arms loose.

3. Learning something together with your son or daughter is a lot of fun. This class was a little past my daughter's bed time. It ran from 7:30 - 8:45. By the time we got home, she was up later than usual. So we always had a bath before we left, packed up the pajamas, which she changed into after class, then she would fall asleep on the way home. It was some extra work, but it was really enjoyable daddy-daughter time. We had 30 min in the car each way to talk, during the week, we took time sometimes to practice and review our parts together and during the class it was fun to be there and work together.

Well, today is the first Saturday I haven't had to work in more than a month, so I'm going to go and enjoy it!

Another Taiko Blog and KODO: Behind the Scenes Video

KODO: Behind the Scenes

It has taken me twice as long to eat my meals in the past few days. I'm not eating more, probably I'm eating less. Why is it taking me so long? Because I am using my left hand to eat. (I'm right-handed, by the way). Using a fork and spoon with your non-dominant hand is one thing, trying to use chopsticks with it is another story. For many westerners, using your dominant hand to eat meals with chopsticks is challenging enough. I am also trying to brush my teeth with my left hand. I'm starting to get used to it, but at first, even as I brushed with my left hand, I couldn't keep from moving my right hand in a brushing motion. It must have been amusing to watch my spastic tooth-brushing ritual.

Using your left hand isn't a new idea. I've heard of many athletes doing the same thing in order to strengthen the non-dominant side of their body. That's what I'm trying to do as well. For taiko beginners, it is always painfully obvious that one of their hands/arms is stronger than the other. Over the past few years, I've watched several new people join the taiko groups I'm in, and almost without fail, during the first lesson, the instructor will say something like, "You're right-handed, aren't you. Your left hand is too weak."

Having one hand stronger than the other usually causes uneven beats, speeding up or slowing down and asymmetrical form when playing. There are several ways to even out your hand and arm strength. One is to practice exercises and etudes starting with your non-dominant hand (as I mentioned in a previous post about practicing shime taiko.) But using your non-dominant hand for everyday activities, like teeth brushing and eating with chopsticks, is another way to work towards becoming ambidextrous.

Although it is not the first time I've heard of this method of training, I was reminded of it in this excellent video about what it is like to be an apprentice with the Kodo Drummers on Sado Island. Apparently, one of the first tasks for new apprentices is to make their own pair of chopsticks and make their own pair of bachi (drum sticks). Then they must eat only using their non-dominant hand. If they can't do it, they go hungry until they learn how.

With a job and a family of four, many of the KODO training techniques are not feasible. After all, they are on a remote island cut off from family, friends, technology and all they have to think about is taiko. But using my non-dominant hand to eat with and brush my teeth, well, that's something I can do without too much trouble. I have found that I don't asks for seconds as often, though, just because it can be so tiring to eat that way.

Well, you probably want to see the video. Here it is. KODO Apprentice Video. Sorry, I can't embed it, so you'll have to go to YouTube to watch it. It is worth the time, though.

Another Taiko Blog

Where did I find this interesting video? I found it at the TAIKOHANA Blog. The owner of the TaikoHana blog wrote to me a week or so ago asking if I knew of any places to practice taiko in Fukuoka. (See my answer to her question here: Where to Practice Taiko in Japan.) I discovered that she also kept a blog about taiko and read through it in one sitting. Perhaps I found it interesting because her story is similar to ours in some ways. At any rate, in the interest of providing all those English speaking taiko enthusiasts out there more reading material, I thought I would recommend it to you.

Marie Ayabe is the writer of the blog. Marie was born and raised in Hawaii. She began learning taiko in the summer of 2007 at the Taiko Center of the Pacific. She enjoyed it so much that she decided to start a group at her college, which is called AIKO. This fall she will go to Japan as a JET teacher and hopes to continue her taiko studies there. She hopes to eventually be able to perform with a professional group and teach taiko to other people as well.

She will probably be busy getting ready for her move to Japan this summer, but once she gets settled in, I imagine she will have lots of interesting posts about her own taiko journey. So please check out her blog:
TaikoHana Blog

Where Can I Practice Taiko in Japan?

Every now and then I get an interesting question about taiko by email. I can't claim to be an expert on taiko, but if I don't know the answer to questions, I often know how to find them. That was the case today. I got an email from a taiko enthusiast who is moving to Fukuoka, Japan this fall and she was trying to find a group to practice with there. At first I was going to send her my apologies and tell her that I couldn't help her. After all, Fukuoka is pretty far from Ishikawa. Then I remembered TAO. Some of you know TAO, don't you? They are a group that tours around the world. I've never seen TAO perform, but apparently they're pretty, um, crazy. For example, Yamato (one of my favorites) has a pretty intense training program. For the most part, they run 10 Km just about every day. That's probably a good 45 - 60 min. run everyday. Well, I read an article last year about TAO that said they run a half Marathon everyday! That's 20 km, (13 miles). Not to say that a regular running program isn't an important part of playing the taiko, it certainly is. I do wonder, though, if 20 km a day (and very little sleep) isn't overdoing it just a tad.

Anyway, I'm getting off track. I knew TAO was based somewhere in Western Japan, so I looked them up and as it happened, they are based in Fukuoka Prefecture. I don't know if they offer much in the way of classes, but it seems that they have a few workshop offerings. I also discovered from their website that they are planning a North American Tour starting in January 2010. It looks like they'll be around the Midwest in March. I haven't seen them before and we ought to be back in Michigan by then. I suppose we'll have to check them out, maybe invite them over for dinner (start planning the menu, mom.)

I don't know how useful TAO would be in finding a place to practice taiko in Japan. I am sure they are quite involved with their own training and practice. It was while I was poking around the TAO website that I thought of the most useful place for all you taiko enthusiast moving to Japan for a summer, or a year or even longer. It's the Japan Taiko Foundation (Nippon Taiko Renmei). I looked them up. They have a Japanese and English page. As is often the case, the information on the English page is much more limited. The truly useful info is on the Japanese page. On the Japanese page, they have lists of taiko groups by prefecture. I suppose it is not a comprehensive list of taiko groups. There are probably groups that are not registered with the taiko renmei, but for someone who has nothing to go on, it's probably a good place to start. So finally, I come to the useful part of this post. Here are links to the pages for each prefecture in Japan. The link offers a list of taiko groups, a contact person and a contact number. If you don't read Japanese, you could print out the page for your prefecture and bring it to someone who does and ask them to help you get in contact with one of the groups.

Well, I intended to link each prefecture to the page listing the groups for that prefecture, but they have their website set up so you can't do that. Wait... This is ridiculous, their whole website is the same URL, I can't link to any individual pages on their site. Okay. Let's see here. This will be a lot easier if you read Japanese, if you don't, you can still do it, it will just be a bit more of a challenge. First, go to the Taiko Foundation Website. On the left is a menu bar. Try to find the heading that looks like this: 支部・加盟団体 underneath that, there is a menu item that looks like this: 加盟団体一覧 Click on it. If you know the Kanji for your prefecture, look for it and click on it and the list of taiko groups in your area should come up. If you don't know the kanji for your prefecture (you really should learn it, if you don't) Maybe this list can help you to find it:

Hokkaido East 北海道・道東支部
Hokkaido West　北海道・道西支部
Hokkaido North　北海道・道北支部
Hokkaido South　北海道・道南支部
Hokkaido Central　北海道・道央支部
Aomori　青森県
Akita　秋田県
Yamagata　山形県
Iwate 岩手県
Miyagi　宮城県
Fukushima　福島県
Niigata　新潟県
Toyama　富山県
Ishikawa　石川県
Fukui　福井県
Ibaraki　茨城県
Tochigi　栃木県
Gunma　群馬県
Saitama　埼玉県
Tokyo　東京都
Chiba　千葉県
Kanagawa　神奈川県
Yamanashi　山梨県
Shizuoka　静岡県
Nagano　長野県
Aichi　愛知県
Gifu　岐阜県
Mie　三重県
Kyoto　京都府
Nara　奈良県
Osaka　大阪府
Hyogo　兵庫県
Okayama　岡山県
Hiroshima 広島県
Shimane　島根県
Tottori　鳥取県
Tokushima　徳島県
Kagawa　香川県
Fukuoka　福岡県
Saga　佐賀県
Nagasaki　長崎県
Oita　大分県
Kumamoto　熊本県
Miyazaki　宮崎県
Kagoshima　鹿児島県

Sorry, no links for: Okinawa (沖縄), Kochi (高知), Ehime (愛媛), Yamaguchi (山口), Wakayama (和歌山) or Shiga (滋賀). I don't know why. I am certain there are taiko groups there. Perhaps they are just not members of the Taiko Foundation...

Well, I hope this helps. Good luck.

Asano 400th Annivesary Opening Concert

I guess it was nearly three weeks ago, but on June 5th, we were able to attend the opening concert for Asano Taiko's 400th annivesary. It was quite an amazing concert featuring some of the taiko world's most famous artists. There were many people and groups whom I have seen perform in the past, such as Hono Taiko, Yamato, and Miyake Taiko, but there were also many groups I saw for the first time, like Tiffany Tamaribuchi, Tokara, Hachijo Jima and current/former members of Kodo and Ondekoza: Imafuku Yuu and Fujimoto Yoshikazu.

The concert venue was the Matto Gakushu Center Hall, which is a small hall attached to a city library. I can't imagine that it would hold much more than a few hundred people, but it was standing room only. One of the benefits of the small theater, though, is the intimate feel it creates. We got very intimate seats in the second row! The mood on the stage I felt from the performers was relaxed (not in a lazy way) and celebratory. Everyone, the performers and the audience, seemed to really enjoy themselves.

Miyake Taiko was powerful and impressive, (as it always is). The groups from outside of Japan, or featuring members from outside of Japan (Tiffany Tamaribuchi and Tokara) had a slightly different feel about them. In a subtle sort of way, they were more light-hearted, they almost had a more optimistic way of playing, if that makes sense to you. Not to say that they were better or worse than any of the other groups, they just had a different, can't-quite-put-my-finger-on-it feel to them. I do remember reading somewhere, though, that one of the Asano brothers commented once on how much N. American taiko players really seem to enjoy themselves while they are playing taiko.

Yamato also certainly seems to enjoy themselves on stage, but in a slightly different way. Yamato began Ogawa-san, the leader, thanking Asano Taiko for all they've done. He said, "If Asano did not exist, Yamato would not exist." This is probably true for most of the groups there that evening. Whether groups use Asano drums or not, Ondekoza/Kodo is probably one of the main reasons for the spread of Taiko around the world, and they have always played Asano drums. Yamato performed their song which features Katsugi Oke Taiko, "Rakuda". It's one of my favorites of theirs.

Another performance that I particularly enjoyed (as did my daughter) was from Imafuku Yuu, a native of Shimane prefecture and former member of Ondekoza (I think). Imafuku san uses elements of Kagura music in his taiko performance, which include singing and dancing. (There is a short clip on his homepage, it should play automatically) For this performance he used a small nagado and was accompanied by a shime taiko played with take bachi (bamboo sticks). He played and sang (he has a wonderful voice) a song about blessings and fortune and good luck. As he played, another performer came out, dressed as one of the Seven Lucky Gods of Japan, Ebisu. Ebisu is: The God of Good Fortune, the Ocean, and Fishing Folk
Also Deity of Honest Labor & Patron of Laborers. He looked something like this. Anyhow, Ebisu danced around on stage and pretended to go fishing. First he reeled in an old boot, which my daughter found amusing (well, okay, I did too). Then he finally caught a Red Snapper, or Sea Bream fish, which is symbolic of congratulatory wishes in Japan, appropriate for Asano's 400th annivesary.

Imafuku-san's nagado taiko was actually quite interesting. On one of the heads, there seemed to be a drawing of some sort. Although I was in the second row, I still couldn't figure out what it was supposed to be. My best guess was a pig. After the concert, I was backstage and Imafuku-san happened to be there with the drum, so I asked him about it. As it turned out, the picture wasn't a picture at all, it was very artistically written arabic. Someone had written it for him as a gift when he was in ... I think it was somewhere in Northern Africa. It said something like "Playing the drum is joy." (note to self: start writing stuff down that you want to remember).

Anyhow, it was a great concert, the performances, the atmosphere, everything. And it only cost 1000 yen. At the end of the concert, Asano Senmu (Akitoshi) stood on stage beaming with happiness, with his eyes glistening looking as if tears of joy were about to overflow. He expressed his thankfulness to all the performers and how wonderful the concert was. Just before he thanked everyone for coming and wished us a safe journey home, he said "I can't wait for the next 400 years!"

Thanks to all our "Investors"

That was quick. On Sunday evening I made a quick post inviting any one interested to invest in our project by funding our Lending Club loan of $5000. 92 people stepped forward within 2 1/2 days to fully fund our loan, with an average investment of around $50. Crowd funding is great, isn't it? I don't know if anyone who was a regular reader of this blog contributed, but thanks to all who did. We will be using the money to help off-set the cost of drums for the classes we will offer when we return to Michigan.

Thanks for believing in us. We won't let you down.

Invest in Our Dreams!

A long time ago... well, about a year and a half... I naively asked for donations to help fund our project of bringing taiko drumming to the people of Michigan. There was not a signal donation. I don't mean to sound ungrateful. We have received tremendous amount of help from family and friends with unbelievable amounts of moral and financial support, but soliciting donations from online "strangers" just didn't work out. I understand. I, too, would be awfully hesitant to donate money to someone I didn't personally know.

I guess 18 months later I am a bit wiser to the ways of the world, but that hasn't changed the fact that we still need to raise some money in order to make all this happen. So here I am, back again with my hat in my hand, trying to raise $5000 before the end of June. But this time, should you choose to offer us some financial assistance in making our dreams a reality, I can offer you something in return.

If anyone is interested in investing in our dream of "the Great Lakes Taiko Center " (that's us) we have been approved for a loan through lendingclub.com. Lending club is a "crowd funding" site, which lets investors fund loan requests of individuals who have a high credit rating. You can read more details about it here: Lending Club FAQ
In a nutshell, you would loan us money, and within three years, you'd get whatever you loaned back, plus interest.

The loan just went "live" less than 12 hours ago and from the way things are going, I don't think we will need to recruit any extra help to get the loan funded. But I thought that there might just possibly be a few people out there who have an interest in our project and just might want to help out.

If you're interested, you would need to sign up to be a lender (I think you'd have to be a US resident as well). I am told that if you sign up through this link, you will get a $25 credit to get started.

Anyway, sorry to ask for money. I know people don't have much of it these days (especially folks in Michigan), but I thought there just might, possibly be the small chance that there are a few people who would like to support us in this way. Thanks for considering.

Oops, I forgot to post the link to our own loan request yesterday. Here it is, if you're interested:
Loan to Purchase Japanese Taiko Drums

Miyake Taiko Workshop

There are so many things that happened last weekend at Asano Taiko's 400th Anniversary celebration. I learned so much, met so many new people, thought about a lot of things in a new light. If I tried to sum them up in one post, it would probably be either reeeaaaallllyy long, or too much information at once. Therefore, I will just try to write short reflections on the experiences and what I learned, as I have time and as they come to mind. Hopefully I can get down my most significant experiences before they slip my mind.

Today's topic: The Miyake Taiko Workshop with Mr. Tsumura and his three sons.


The above is a picture of me (the tall, white guy in the middle) along with the Tsumura family and on the left is Odaiko player, Yamabe Taishi, from Kurashiki　Tenryo Taiko in Okayama ken.　For some reason, all the women taiko players that I know get all dreamy-eyed and giggly when they are around these guys. From what I hear, they find them rather attractive.

Sunday was my second time to take this workshop from the Tsumuras. I also took it last year during Golden Week (first week of May). I wrote about it extensively in that post. Seeing as the content was pretty much the same, I won't spend a lot of time writing about it again. If you're interested, you can read about it in last year's post.

This year there were significantly more people in the workshop. This limited the amount of time we had and everything took a little bit longer. Last year, we had enough time to work on a variation in the ji-uchi (base rhythm) and also work on the "agari" (speeding up) at the end. This year, however, Mr. Tsumura gave a quick introduction on the correct form - leg positioning, movement of arms, proper grip of the sticks, etc. We each took a turn playing the ji-uchi and the melody four times through, stopping between each set to rotate players. After everyone played one set, Mr. Tsumura gave some general advice and suggestions before going on to teach us how to rotate from player to player without stopping. Last year the switching between players was kind of a challenge for me. I could never quite get the ji-uchi right. This year it seemed to be no problem, though.

After we had learned how to switch between players without stopping the music, we played the song continuously for about 45 minutes, rotating around the room. Mr. Tsumura and his three sons were at various spots around the room and would give advice to the workshop participants as they came around. At the end, we did some cool down stretches and that was it.

I think my muscles (legs especially) were a little more sore than last year. Last year I spent more time exercising so that my legs would be strong. Not that I haven't been exercising, but I haven't been spending much time on the muscles needed for Miyake, so the next day, they were a little sore.

With the increased number of workshop participants, Mr. Tsumura's strictness also came through a little bit more. Unfortunately, it had to come out at the expense of a couple of the younger attendees. It wasn't a type of strictness in the sense that he came across as a mean old man, but more that he was strict because he is very serious about learning and teaching taiko.

For the workshop there were four or five taiko set up. Since there were 20 or 30 participants, we had to be split up into groups. At one point, there were three young girls (8 or 10 years old?). Mr. Tsumura said, "One of you go over to this group." The three girls looked at each other and hesitated for a minute. Then they began playing "rock, paper, scissors" to decide which one of them should go (the loser would go). This is actually a common way to make decisions in Japan. In fact, I think they use it in Parliament fairly often, when they can't come to a consensus. Anyway, when they started the "rock, paper, scissors" game, Mr. Tsumura said, "No, no, no, we don't have time for games, just one of you move to the other group. Hurry up and do it, you're wasting time." After another short hesitation, one of the girls moved. Before moving on, Mr. Tsumura told everyone, "If you don't want to do what you're asked, or you don't want to be split up from your friends, it's okay. You don't have to take the workshop. You're welcome to sit and watch because there are a lot of people who wanted to take this workshop and weren't able to. I'm sure they'll gladly take your place. That kind of thing just wastes time and is a nuisance to everyone else."

Although I felt a little sorry for the girls, that they had to be "the example", I completely agree with what Mr. Tsumura said. If the teacher asks you to do something and you don't want to do it, or you make a fuss about doing it, you are just bothering the other people who are there and who are serious about practicing taiko, or basketball or music or whatever you might be learning.

At another point in the workshop, a young boy (4th or 5th grade?) was quietly tapping on the rim of one of the taiko while Mr. Tsumura was talking. He stopped and said, "Who's playing the drum? Who's making that noise? Whoever it is, stop it. These aren't your drums. You are borrowing them. You shouldn't play them until you are told to play them."

Like for the girls, it may have been slightly traumatic for the young boy, but Mr. Tsumura is correct again. I think it is especially important to make a point to young children about when it is appropriate and inappropriate to make noise on the drums. Small children are just naturally attracted to playing the drums. They can hardly resist playing them, but when someone is talking, it is certainly inappropriate. If small children are not taught to keep quiet (don't play) while the teacher is talking, it is nearly impossible for the teacher to teach. Have you ever tried talking over 10 or 20 drums? I've seen teachers try to do that before and it is painful to watch.

Once again, a "short" summary of a workshop is turning into a term paper. I guess I had better stop before things get too out of hand.

Check back soon for more stories from the Asano Taiko 400th Annivesary Celebration.

Oh, and if you live in Michigan and you haven't taken our survey yet, please do so, it is very helpful to us. If you have taken it, please tell a friend about it and ask them to take it. Thanks for your help.

Click Here to take survey

Thank You, Wadaiko Yamato

On Saturday I went over to Asano Taiko to take part in the 400th Annivesary activities. Wadaiko Yamato had performed at the Friday night opening concert and I knew they would be at Asano on Saturday as well. I thought I would wear one of my Yamato t-shirts, so I chose one from their 2001 (?) tour. I have worn the shirt quite a bit and it shows. The image is in pretty rough shape and the color is very faded.

After arriving at Asano, I saw some of the members. I greeted them and told them I had enjoyed their performance the night before. Then one of them looked at my shirt and said, "Brian, what are your wearing? How old is that thing? Don't you have a newer one?"
"It's not so bad," I said, "It's just been well-loved."
"Brian, we'll send you a new shirt. What size is that?"
"I think it's XL, but it's a little big," I said.

It wouldn't be the first time they have given me t-shirts. But I thought they meant the next time we visited them in Asuka mura, or perhaps the next time we come to one of their concerts. Yesterday, we got a package in the mail. It was five, brand new Wadaiko Yamato T-shirts, Size L.



Thank you, again, Wadaiko Yamato, for your generosity and kindness to us.