Taiko Babies

If you watched the video about Hayashi Eitetsu in my previous post (not the survey) did you notice where he mentions the babies in the audiences sleeping during the taiko performances? He talks about how the sound of the drums must be similar to the first sound we all hear in our mothers' wombs. Our mother's heartbeat. Perhaps, this is one reason that taiko drumming can be so moving to some of us.

This also reminded me of the summer of 2006, when we, along with our original members, were preparing for our first "major" performance. Our son had just been born in June, and when we practiced, we had to bring him in the basement with us. We were amazed because as soon as we would start playing the drums, he was almost immediately asleep.

Now he is one and a half and he loves the taiko. If he sees a drum, he heads straight for it. It is nearly impossible to practice with him around now, because he always wants to play too. I guess it's a good sign.

Here is a picture of him and his older sister playing "odaiko" last weekend:

A Bit more about Children's Taiko

I recently received a comment from a reader who enjoyed reading the “Children’s Taiko” entry, so I thought that I could write a bit more about it.

I can’t say that I’ve been in Japan long enough to make a judgment like this, but it seems that taiko has become more and more popular over the last 10 years or so, and I am becoming aware of new children’s taiko classes all the time. Of course this could also simply be that as I travel further along the taiko journey, I am just becoming exposed to more of these groups. In any case, children’s taiko classes are certainly prevalent in Japan. My daughter is enrolled in two different classes, each meeting once a week. Many children also have exposure to playing the taiko in their kindergarten and preschool classes. To start my daughter’s first class at Asano Taiko, the teacher asked the parents to share their reason for signing up for the class. There were quite a few parents who mentioned that their children had started learning taiko at preschool/kindergarten and wanted to learn more.

So far, I haven’t come across any groups for children younger than 4 years old. From what I have seen, it is quite an accomplishment to get 4 year olds all playing the drum together. This week will only be our third week in the Asano class, but the teacher has not asked the children to play anything more than single notes so far. The notes are not even part of a rhythm; they are just working on having the correct stance and hand/arm motions. The other class, a neighborhood class, has also not moved beyond very basic rhythms, such as 4 quarter notes, or 4 quarters followed by 5 eighth notes. I am anxious to see what type of song they end up learning.

I have come across children’s groups, which are actually performing groups. Although the average age tends to be a bit older than 4 years old, the members do range in age from early elementary school through high school. One of these groups I saw at Exstasia this year. They were an all girl group from in Island somewhere in Western Japan. It was one of my favorite groups from the Exstasia concert; one of the ones that nearly moved me to tears. They were really incredible. The other group I saw more recently, but they also performed at Exstasia several years ago. They are called Koshu Taiko, or in Japanese writing:高州太鼓. I did not see them at their Exstasia performance, but just last week they performed at the festival of the school where I am working. Their members are also quite young, ranging from around 3^rd grade through high school. I got to talk with them for a bit after their performance and we took a photo together.

I was also able to get a video of their performance. The file was too big to upload to youtube in one movie, so there are two parts to it. Please enjoy it.
Part 1

Part 2

Children's Taiko

My daughter is part of two children’s taiko groups. One is a neighborhood group; the other is a class at Asano Taiko for children. Although we are not part of these groups, (we are too old) watching the lessons can be very enlightening, particularly the Asano Taiko class. Here are two things I have learned from observing the lessons:

1. The switch to turn on the taiko – The teacher of the class at Asano began the class by asking the children (mostly between 4 and 6 years old) if they knew where the switch to turn on the taiko is. The kids had a lot of ideas, such as a certain screw on the side of the drum, or turning one of the handles in a certain way. Of course, the switch is not on the drum. After allowing them to make several guesses she told them that the switch to make the taiko play was their heart. I try to think of that now every time I pick up the sticks to play the taiko.

2. Stretching is very important – The teacher spent about half of the class (30 min) doing stretching exercises with the children. Perhaps it took a little longer than usual because it was only the second class and the children are still learning how to do the stretches. Nevertheless, she did mention at one point that it was very important to be as flexible as possible when you play the taiko. I believe she literally said, “People who are flexible when they play the taiko get an incredible sound.” Stiffness is an enemy to taiko playing, but for many beginners (myself included), it seems to be what your body “naturally” does. In fact, it is probably not natural, but unless you consciously think about relaxing, you tend to stiffen up. From playing various sports and learning various instruments, I think it is perhaps a result of nerves and having to think about many different things all at the same time, such as how to stand, how to hold your sticks, the music, etc.

As many wise people have observed, we can learn a great deal from children.